Monday's trip to Detroit
opened up my eyes up to graffiti. For the first time, I saw this form of
vandalism in a new light, with a different perspective along with a deep
appreciation. When analyzing the murals on the graffiti walls, I was not just
looking at colorful paintings, scribbled names, or landscapes of cities. I was
looking at art. Each piece told its own story, each one different from the
next. Each possessed a voice, a meaning, a message. Each struck me with a
different sentiment, a different emotion. In fact, I was especially captivated
by the mural, “Dear Dad.” A small boy with a
sullen countenance crouches in the corner, his knees drawn up to his chest, his
shoulders hunched, his eye wide open and weary. In his hand, he holds a paper
airplane, which we will soon learn carries not just the weight of the grief he
bears for his deceased father but also the legacy of that grief as he grows
into a man. The central aspect of this mural is the handwritten letter this
child wrote to his father. Black ink on a white lined paper contrasts the rays
and flashes of bright colors whipping past. Within the letter, the individual
words which form together to create the full message illicit deep emotion and carry a heavy weight –
true grief, true longing, true desire to please. From analyzing the overall beautiful piece
of art, I was intrigued by the colors, the vivid details, the letter, the
transformation internally of the boy, and the overall deep emotion. In fact, I
realized that although this mural seems to suggest a portrait of a grieving
child’s communication to a deceased father, with a longer appraisal, it becomes
apparent that this work is simultaneously expressing how the adult artist
thinks about his father who died years ago. I found it interesting how the artist
himself is present in his own work. His voice speaks through, relating himself
to the boy, his life to the boy’s life.
Jolie, I share your newfound appreciation for graffiti. Although I agree with you about how beautiful that particular mural was, I also think it is interesting to look at smaller, less complex pieces of graffiti. That particular mural was extremely grandiose, and it presented a story without one having to look for one. I think smaller pieces of graffiti are interesting also-- even tags-- because, although they are much less elaborate, they can still convey stories of the same powerful caliber. Every tag, as much as mural, offers a perspective drastically different from my own even if I cannot see it yet. Something else I liked about that particular mural was that our opportunity to see it was followed directly by an opportunity to speak to the artist, Fel3000ft. Art often becomes more real when one can see its source. After hearing Fel3000ft speak, I could see his perspective manifest itself in his mural. Overall, I am really glad that we got this opportunity to speak to him because seeing such amazing art followed by a direct encounter with its creator is a chance that is extremely elusive.
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